Friday, September 26, 2014

Poetry Exercise #2: A Supermarket in California

A Supermarket in California


Allen Ginsberg, 1926 - 1997

 
  What thoughts I have of you tonight, Walt Whitman, 
        for I walked down the sidestreets under the 
        trees with a headache self-conscious looking 
        at the full moon.
  In my hungry fatigue, and shopping for images, I 
        went into the neon fruit supermarket, dreaming 
        of your enumerations!
  What peaches and what penumbras!  Whole families 
        shopping at night!  Aisles full of husbands! 
        Wives in the avocados, babies in the tomatoes!--
        and you, García Lorca, what were you doing down 
        by the watermelons?

  I saw you, Walt Whitman, childless, lonely old grubber, 
        poking among the meats in the refrigerator and 
        eyeing the grocery boys.
  I heard you asking questions of each: Who killed the 
        pork chops?  What price bananas?  Are you my Angel?
  I wandered in and out of the brilliant stacks of cans 
        following you, and followed in my imagination by 
        the store detective.
  We strode down the open corridors together in our solitary 
        fancy tasting artichokes, possessing every frozen 
        delicacy, and never passing the cashier.

  Where are we going, Walt Whitman?  The doors close in a 
        hour.  Which way does your beard point tonight?
 (I touch your book and dream of our odyssey in the 
        supermarket and feel absurd.)
  Will we walk all night through solitary streets?  The 
        trees add shade to shade, lights out in the houses, 
        we’ll both be lonely.
  Will we stroll dreaming of the lost America of love past 
        blue automobiles in driveways, home to our silent 
        cottage?
  Ah, dear father, graybeard, lonely old courage-teacher, 
        what America did you have when Charon quit poling his 
        ferry and you got out on a smoking bank and stood 
        watching the boat disappear on the black waters of Lethe?
 
--Berkeley, 1955

Write a poem with very long lines and lots of alliteration, assonance, and consonance but no rhyme scheme. Write the poem to someone whom you've never met but who has influenced you in some significant way. Pretend you're speaking to them while both of you are in a place that is familiar to you. Include lots of vivid, suggestive imagery. Use the person's name in the poem. Ask them questions.  

This exercise is adapted from Sleeping on the Wing, written by Kenneth Koch and Kate Farrell.

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